Stephen (Ghostwatch) Volk is my guest on this week's podcast

In 1992 the British TV programme Ghostwatch hit the headlines after an estimated 30,000 viewers called the BBC to complain about the show. They said it was too disturbing, with some believing the events to be true. To mark the twenty year anniversary a new documentary, Ghostwatch: Behind the Curtain was released on DVD this March.

The man behind Ghostwatch is Stephen Volk, screenwriter and author, and one of the most important names in British horror.  His work for the big screen includes screenplays for Ken Russell and William Friedkin, and he is creator of the hit TV drama, Afterlife.

With this year the centenary of the birth of Peter Cushing, Stephen had published the novella, Whitstable, about a fictionalised Peter Cushing drawn into a web of intrigue by a boy who believes his stepfather is a vampire.

Stephen is my guest on this week's Friday Night Frights where we talk about Ghostwatch and Whitstable, and Stephen reveals some fascinating behind the scenes stories.

To listen go here

Friday Night Frights Episode 22 - with special guest Kim Newman

This month indie film and home entertainment Network Distributing launch The British Film DVD Collection, an intriguing mix of of vintage British movies from the past five decades, including some obscure horror gems like Devil Girl From Mars (1954), the Frankie Howerd horror-comedy House in Nightmare Park (1973) and two Herman I Was a Teenage Werewolf Cohen productions, Horrors of the Black Museum (1959) and Konga (1961).

To mark the launch I spoke to author and critic Kim Newman about what it is that makes these titles so unique within British horror and science fiction.

To listen to the podcast go here

For more information on The British Film Collection visit http://networkonair.com

Friday Night Frights - Dark Skies producer Jason Blum

My guest on this week's Friday Night Frights is Dark Skies producer Jason Blum. His company Blumhouse Productions is responsible for the Paranormal Activity franchise, Insidious and Sinister; and his model of low budget-wide release director-led film-making has made him one of the most successful producers in Hollywood.

To listen go here

We Belong Dead Returns!

Easter is the time of resurrection and one of the most impressive this spring is the return of We Belong Dead, Eric McNaughton's fanzine that many thought deceased back in 1996 after just 8 issues. Based on the only-slightly-delayed-by-16-years issue 9, We Belong Dead is very much alive and kicking. Despite its fanzine status, WBD, both in design and quality of its writing, gives more 'professional' horror magazines a run for their money. WBD concentrates on classic horror so don't be suprised by the lack of coverage of modern multiplex fodder: there is more than a whiff of nostalgia in its 80 pages, but to its credit none of it is musty.

The contributors are all horror fans themselves - and they include some well-known names as Tony Earnshaw, John Lewellyn Probert and Stephen Mosley - so the bar is set very high indeed in terms of the writing: Stephen Jones and Hemlock books contribute the movie stills, posters and lobby cards that illustrate WBD's sumptuous pages - including some rare overseas artwork; Dave Brooks and Woody Welch provide the illustrations, including a stunning front cover by Brooks based on Hammer's Twins of Evil. It's all beautifully laid out by designer Steve Kirkham, and editor McNaughton collates a satisfying and eclectic mix of articles, reviews, think-pieces and fan reflections, including a few genuine scoops: a revealing but all-too-brief account of writer John Burke's contribution to The Sorcerers (1967) by Chris O'Loughlin; a final interview with Jean Rollin by Piddle Andersson; and an interview by the aforementioned Earnshaw with scream queen Barbara Shelley.

Elsewhere in the magazine there's an entertaining retrospective of Twins of Evil by Mosley; a warm appreciation of Ossorio's Blind Dead films by Probert; an informative look at Witchfinder General by O'Loughlin (clearly a Michael Reeves fan); and a fun look at the all-but-forgotten- Al Adamson so-bad-it's-good monster flick Dracula vs. Frankenstein (1970) by Ernie Magnotta. Some of the other in-depth pieces include a detailed script-to-screen analysis of Tourneur's Night of the Demon (1957); a survey of Peter Cushing's work for Amicus; and a well-informed discussion of Tobe Hooper's Salem's Lot (1979); as well as a raft of other fan writing on Auroa monster model kits, Facebook groups and the Bring Classic Horror Back to Television Campaign.

Produced as a labour of love by all concerned, but with a professionalism that belies its fanzine status, WBD deserves a wide readership. It's an absorbing read from start to finish. Issue 10 is already in the works; and McNaughton plans to publish a 100 page Fearbook featuring the best of the long out of print and hard to find first 8 issues later in the year. Horror fans are advised to place their orders now as print runs will be limited. Based on the quality of issue 9 let's hope that WBD will be around for a long time: We Belong Dead very much belongs alive.

For more information visit wbd@yahoo.co.uk