Saturday, 31 July 2021

Dementer & Jug-Face

 

Arrow Films have released Chad Crawford Kinkle's Dementer on Blu-ray with a bonus disc in the Limited Edition featuring Jug-Face. I am very pleased to contribute the DVD extra 'Staring into the Pitt' featuring an interview between myself and Chad Crawford Kinkle.

Suburbia & The Boys Next Door.


Very proud to contribute booklet essays for these two cult Penelope Spheeris movies for 101 Films.
 

Global Horror Cinema Today


 My new book Global Horror Cinema Today has arrived! Available from bookstores everywhere.

Friday, 14 May 2021

Scream issue #67 - out soon!


 In Scream issue #67 I take a close look at George A. Romero's THE CRAZIES (1973).

Saturday, 24 April 2021

The Babadook - Limited Edition. Released June 21st 2021.


 I am very pleased to contribute a booklet essay for this limited edition of The Babadook, released on June 21st 2021 by Second Sight Films.

Thursday, 11 March 2021

SCREAM Issue # 66 out April 5th.

 

SCREAM Issue # 66 is out April 5th. I had fun writing about the bonkers HORROR HOSPITAL (1973).

Friday, 19 February 2021

Staring into the pit: Q&A with Chad Crawford Kinkle

 

An ARROW Stories Original and exclusive to ARROW. Writer-director Chad Crawford Kinkle sits down with film critic Jon Towlson to discuss the origins of JUG FACE (2013) in this newly filmed interview from January 2022. Now streaming on Arrowplayer.com


Thursday, 28 January 2021

Karloff at Columbia - released 19th April.

 


Delighted to contribute a booklet essay to this fantasic Eureka release of Columbia's 'Mad Doctor' series starring Boris Karloff!

Wednesday, 27 January 2021

Global Horror Cinema Today - released July 23, 2021

 


The horror film is thriving worldwide. Filmmakers in countries as diverse as the USA, Australia, Israel, Spain, France, Great Britain, Iran, and South Korea are using the horror genre to address the emerging fears and anxieties of their cultures. This book investigates horror cinema around the globe with an emphasis on how the genre has developed in the past ten years. It closely examines 28 international films, including It Follows (2014), Grave (Raw, 2016), Busanhaeng (Train to Busan,2016), and Get Out (2016), with discussions of another 100. Each chapter focuses on a different country, analyzing what frightens the people of these various nations and the ways in which horror crosses over to international audiences