Friday, 14 May 2021
Saturday, 24 April 2021
The Babadook - Limited Edition. Released June 21st 2021.
I am very pleased to contribute a booklet essay for this limited edition of The Babadook, released on June 21st 2021 by Second Sight Films.
Friday, 12 March 2021
Thursday, 11 March 2021
Friday, 19 February 2021
Staring into the pit: Q&A with Chad Crawford Kinkle
An ARROW Stories Original and exclusive to ARROW. Writer-director Chad Crawford Kinkle sits down with film critic Jon Towlson to discuss the origins of JUG FACE (2013) in this newly filmed interview from January 2022. Now streaming on Arrowplayer.com
Thursday, 28 January 2021
Karloff at Columbia - released 19th April.
Wednesday, 27 January 2021
Global Horror Cinema Today - released July 23, 2021
The horror
film is thriving worldwide. Filmmakers in countries as diverse as the USA,
Australia, Israel, Spain, France, Great Britain, Iran, and South Korea are
using the horror genre to address the emerging fears and anxieties of their
cultures. This book investigates horror cinema around the globe with an
emphasis on how the genre has developed in the past ten years. It closely
examines 28 international films, including It Follows (2014), Grave (Raw,
2016), Busanhaeng (Train to Busan,2016), and Get Out (2016), with discussions
of another 100. Each chapter focuses on a different country, analyzing what
frightens the people of these various nations and the ways in which horror
crosses over to international audiences
Wednesday, 28 October 2020
SCREAM #63 - OUT NOW!
The new SCREAM is out now and available for WH SMITH, HMV and all good newsagents. Includes my looks at CREEPSHOW and RE-ANIMATOR.
Wednesday, 21 October 2020
Saturday, 19 September 2020
I am pleased to have an essay in this 150 page book that is part of Second Sights Films' forthcoming release of DAWN OF THE DEAD. The book includes essays by fifteen or so writers from the worlds of academia and film criticism. Here's what the back cover says about the book:
'George A. Romero's Dawn of the Dead has long been considered one of the high points of the zombie genre. Like its predecessor, Night of the Living Dead, it blends extreme horror with broad social commentary. Much has been written about Dawn of the Dead as a critique of consumerist society. However, as this collection of contemporary writing demonstrates, it is much more than that. Here, leading voices from both genre publications and academia bring a diverse range of new perspectives to Dawn of the Dead. In addition to fresh takes on the gender, race and class aspects of the film, there are also essays which explore the Gothic roots of Dawn of the Dead, its rocky reception in cinemas and home video in the UK and how it spawned an entire subgenre in Italian exploitation cinema. Thanks to these bold meditations, Dawn of the Dead emerges as more brilliant, outrageous and contemporary than ever before.'